After a much-needed ten-week sabbatical, here we are — with a message of hope, positivity and a future far greater than our wildest expectations.

In spite of the headlines we are now seeing, is it possible that we are witnessing the fulfillment of a vast, cosmic plan — with a remarkably positive outcome?

Hollywood movies are exposing the Cabal like never before — suggesting a highly positive change is coming. Strap in and prepare for takeoff!

[PLEASE NOTE: You can post excerpts on your site providing you give a workable link. Please do not “mirror” the entire piece.

Sidebar “pullquotes” will continue to be added until Monday night, so the first 24 hours will involve slight edits to improve the overall look — but that’s all.]

[UPDATE, MONDAY AFTERNOON: New photographic evidence and links of classic reincarnation cases in Part Three.]

[UPDATE, MONDAY, 10:40 PM PST: Article is now page-locked and complete, as-is.]

[Click here to go directly to information about David’s all-day event this Saturday, November 1st, in Sedona.]



There can be no doubt that life on earth is getting more and more wild and unpredictable all the time.

That’s a polite way of saying it.

More bluntly, it seems like everything and everyone is going nuts!

Is this it? Is the sky falling? Are we all going to die? Should we be falling on our knees and crying for our mothers?

Is some nasty ebola virus going to rudely eat our flesh before the worms get their chance in another fifty or hundred years?



Guess what? You are about to read a message of hope — not of fear and doom.

If you want “fear porn,” you came to the wrong place.

There’s plenty of it out there if that’s what you’re looking for.

Just read the headlines — or watch cable news!

They will certainly thank you for it. They need the money!



There is an international alliance taking down the so-called Illuminati power structure — and it is also collapsing from within its own member ranks.

Messages forecasting high-level Cabal arrests have finally made their way into major motion pictures.

The epic finale hasn’t happened yet — but there is so much new information pointing in that direction, day after day, that we have been overwhelmed by it.

It appears that there are 12 to 25 times more “truth journalism” articles being written on a daily basis now than there were even four months ago.

So many things are happening, all at the same time, that it is impossible to keep up with it — or even hope to write about all of it.

For right now, there are some very significant stories that seem to demand attention first.

As you are about to see, messages forecasting high-level Cabal arrests have finally made their way into major motion pictures.



Since the Snowden disclosures in June 2013, vastly greater numbers of people have awakened to the basic truths we have been revealing here for years. 

There most definitely appears to be a shadow government working behind the scenes through controlling the financial system, the media, corporations, military and elected officials.

Words like the Bilderbergers, the New World Order, the Illuminati and the Cabal all seem to be fairly interchangeable at this point — for an ever-increasing number of people.

Hitler was perhaps the most visible proponent of this sort of an agenda — but the infrastructure behind him didn’t simply disappear after World War II.

The great masses of the people will more easily fall victims to a big lie than to a small one. — Adolf Hitler


This “big lie” has become something we cannot ignore — unless we wall ourselves off from conventional society altogether.

I celebrated 22 years of sobriety on September 21st. It’s not always easy but I am much happier this way.

In order to heal and release an addiction, you first have to acknowledge the problem. Then you need to fearlessly take steps to alleviate it.

What luck for the rulers that men do not think. — Adolf Hitler



Young people wanting to enjoy movies or pop music are increasingly being presented with one betrayal after another — as Luciferian symbols are shoved in their faces.

Great liars are also great magicians. — Adolf Hitler

He alone, who owns the youth, gains the future. — Adolf Hitler

Make the lie big, make it simple, keep saying it, and eventually they will believe it. — Adolf Hitler

By the skillful and sustained use of propaganda, one can make a people see even heaven as hell or an extremely wretched life as paradise. — Adolf Hitler

I believe today that my conduct is in accordance with the will of the Almighty Creator. — Adolf Hitler




Spectacular amounts of money are being spent in an attempt to re-brand Luciferian imagery as if it was “hip, cool and trendy” — but it’s not working.

There are countless numbers of YouTube videos exposing the Cabal that have racked up millions of views.

Think about that for a minute. TV is no longer getting those numbers. The truth is.

Kesha in Her “Die Young” Video — Which She Said She Was “Forced” To Do
Katy Perry Performing “Dark Horse” at the Grammys



As we go on, you will see evidence that a powerful group of people have formed a “team identity” around this dark imagery.

They do not believe they are the bad guys. In fact, they believe they are saving humanity from an evil, tyrannical god.

Any Christian ideas that Lucifer will be defeated are written off as ignorant superstitions — promoted by a false, evil deity they call Adonay.

In their view, Lucifer is the misunderstood good guy — who was kicked out of the heavenly pantheon and “fell” to earth because he challenged a corrupt dictatorship.

They believe Lucifer is the bearer of wisdom and knowledge — and has dominion over the earth that will expand into a glorious New World Order.

Any Christian ideas that Lucifer will be defeated are written off as ignorant superstitions — promoted by a false, evil deity they call Adonay.

They are taught to hate all things Christian, believing them to be the embodiment of oppression itself — repressing sexuality, knowledge and freedom.

Their members are very powerful — and have conducted ongoing advertising campaigns in the hopes of seeking widespread control and acceptance.

Some of the story points used to bind them together as a group are only known by very few — and will now be discussed on this website for the first time.



One of the things you find out when you start talking to insiders who have direct access to high-level secrets is that this plan has been going on for a long time.

According to NPR, Sherwood Schwartz, the creator of the 1965 classic series Gilligan’s Island, patterned the characters off of the Seven Deadly Sins:

Was “Gilligan’s Island” a Metaphor of Hell?

Poor castaways. Each week they would devise a way off the island. Each week Gilligan would thwart their escape — usually with the best of intentions.

Years after the show ended, its creator, Sherwood Schwartz, admitted that each of the characters represented one of the seven deadly sins — Pride (the Professor), Anger (Skipper), Lust, (Ginger), and the rest. Gilligan was supposed to be Sloth.

But a closer viewing indicates that the island may well have been Hell — and the red-clad Gilligan the devil who kept them on his island.

[Most people who write about this theorize that the Skipper does double duty as Anger and Gluttony. Remember, this is NPR!]



Gilligan’s Island and the Seven Deadly Sins

In 1965, the American public was first treated to the whimsical story of Gilligan and six other hapless castaways, trapped on a small Pacific island after their pleasure cruise ends in a violent shipwreck.

During the show’s three-year run (ninety-eight episodes), the island’s inhabitants attempted to leave the island by broadcasting radio messages, sending smoke signals, repairing the Minnow, building a raft, and fixing a deep diving suit to permit Gilligan to walk along the ocean floor back to Hawaii.

The island was a Sartre-like nether-world where everyone is a “sinner” and Gilligan is Lucifer, always wearing red and sabotaging every escape attempt they make.

They were visited by headhunters, a wayward trans-atlantic stunt pilot, and astronauts in a returning moon capsule. A television special brought the entire Harlem Globe Trotters to the island.

Yet the castaways were strangely unable to get off the island, apparently doomed to spend eternity in each other’s company.

In fact, what seemed to be perfectly disarming, if somewhat frustrating, situation comedy was a representation of a Sartre-like nether-world in which the characters represent the Seven Deadly Sins, forced in the days after Armageddon (in the form of the Flood) to live in unceasing torment with each other.

The viewers witness the characters’ eternal damnation through Gilligan, a name derived from the Scottish “gillie”, a hunting or fishing guide.

Also symbolizing the sin of Sloth, Gilligan has fallen among the other sinners through his own inability or unwillingness to escape.

In the show, it is almost always Gilligan who unwittingly sabotages the castaways’ attempts at rescue.



Sherwood Schwartz, the creator of Gilligan’s Island, knew what he was doing — as he revealed in his book.

Gilligan comes across as a goofy guy, always referred to as “My Little Buddy” by the Skipper — and always wearing red.

Gilligan’s Island could be an early metaphor of how the Cabal see themselves as using folksy humor and trickery to keep us enslaved.

The Cabal likes to put things like this out there, feeling that no one has the stomach to consider what the show is really about — even if it’s obvious.

Once you start expanding your mind and considering that the Cabal may indeed exist, you can see that Gilligan’s Island could be an early TV metaphor of how they see humanity.

They pose as the silly, comic foil, making seemingly foolish movies and TV shows (it was the mid-1960s) and disguising themselves as being innocuous. 

At the same time, they do their best to ensure we all stay within their guidelines — and no one in society can rise above their own negative emotions.

This same concept was arguably re-booted in a much darker and grittier fashion as the epic TV series Lost.



Things are getting very, very surreal these days. Everything we thought we knew is being rewritten — week after week.

There is no such thing as “the average person” anymore. Each person is waking up very quickly to a greater reality. It is quite amazing to behold.

Once the largest arrests happen and the tribunals begin, everyone will be saying the same three words.

The more the Cabal is exposed, the harder they seem to be working to create a non-stop epidemic of hyperventilating fear-mongering in the corporate media.

The final stages in the exposure and defeat of the negative agenda are moving into position. They are becoming very clear, obvious and undeniable.

You may not see it yet. You may not dare to believe there is a way out.

By design, the whole situation appears to be seemingly impossible to fix — thus requiring the exercising of faith to see any positive path through this.

Nonetheless, the words everyone will be using once this globalist agenda finally crumbles apart are only three. They are very simple:

“We All Knew.”



How can these pop-music artists be out there advertising Luciferian imagery so blatantly? Do they know what they are doing? And why is this happening?

There is a common link between all the artists displaying this imagery — including Lady Gaga, Katy Perry, Britney Spears, Miley Cyrus, Nicki Minaj and Rhianna.



They all share the same producer.

Kesha has now broken the ranks and filed a lawsuit against this same man — Dr. Luke.

He looks like a perfectly normal, ordinary, good-natured person — which makes it harder to believe her allegations.

He may have been put out there as a “fall guy” for far more powerful players who are telling him what to do.

Dr. Luke himself may reveal that he has been abused, tortured and threatened, should a tribunal ever occur — so please bear that in mind.

Very interestingly, Kesha’s mother says “Kesha and her friends… like Lady Gaga, are going to make all of this Really PUBLIC.”



This should grab everyone’s attention. While everyone is innocent until proven guilty, witness testimony can also be used to establish proof.

10/18: Kesha Wrote Letters to Fans Revealing Abuse from Producer

The singer specifically identifies the 41-year-old music mogul as her abuser by writing [to a fan]: ‘Dr. Luke has tortured me & my family… he did do what people know about + SO much more terrible s***.’

The duo are currently embroiled in a nasty legal battle after Kesha claimed in a lawsuit that she was ‘sexually, physically, verbally and emotionally abused’ by the prolific producer over a period of 10 years….



Meanwhile, in an email obtained by TMZ, Kesha’s mother allegedly writes: ‘We, me and Kesha and her friends… like Lady Gaga, are going to make all of this Really PUBLIC, in the next few days. Luke date raped Kesha when she was 18….

Kesha claims that the alleged abuse started early on when she signed her deal with the hitmaker, who is known for producing some of the biggest hits in pop music for the likes of Katy Perry and Britney Spears.

Dr. Luke allegedly made ‘repeated sexual advances’ towards her and ‘would use drugs and alcohol to remove her defences’….



Kesha claims that Dr. Luke reportedly ‘threatened that if she ever mentioned the rape to anyone, he would shut her career down, take away all her publishing and recording rights, and otherwise destroy not only her life but her entire family’s lives as well’.

The lawsuit also alleges that he also ‘threatened her and her family’s physical safety’.

Kesha’s lawyer, Mark Geragos, told TMZ… ‘The facts presented in our lawsuit paint a picture of a man who is controlling and willing to commit horrible acts of abuse in an attempt to intimidate an impressionable, talented, young female artist into submission for his personal gain….


Dr. Luke has produced all of Kesha’s big hits including, TiK ToK, We R Who We R and Your Love Is My Drug.

He has also produced hundreds of hits for other artists, including Roar, California Gurls and Teenage Dream by Katy Perry, as well as Till The World Ends and Hold It Against Me by Britney Spears.

He’s also worked with Taio Cruz, B.o.B, Jessie J, Flo Rida, Miley Cyrus, T.I., Nicki Minaj, Juicy J, Rihanna and Shakira.

He was nominated for a Grammy Award for Producer of the Year at the 53rd Grammy Awards for his work on Katy Perry’s Teenage Dream album.



For mainstream pop music, Kesha’s case is equally as revealing as the Bryan Singer cases and Corey Feldman’s Coreyography have become for Hollywood.

And Mark Geragos is a “gorilla”, in legal terms — defending Michael Jackson, Gary Condit, Winona Ryder and many others, as well as prosecuting Whitewater.

I will now reprint an excerpt from our Decloaking Lucifer piece to fill in the context — as it explains why Kesha’s lawsuit is so significant.



VH1 declares that in the Die Young video, Ke$ha “submitted her Illuminati application.” This suggests that you could do the same by displaying their symbols.

Ke$ha Submits Her Illuminati Application, Complete With Triangles, Orgies and Cops

Instead of unicorns, glitter and James Van Der Beek, this time she’s enlisted a band of spookily attractive dancers to writhe around the desert–while K$ poses on a mattress and dances in front of a pentagram.

It. Is. Awesome.  

Is Ke$ha part of the Illuminati? Is she involved in some sort of witchcraft? Or is she just super trendy?

We’ll never truly know, but the new video for Super Earworm “Die Young” features an overwhelming amount of geometry–everything from the magic triangle… to the mystical pentagram… And all the Seeing Eyes in between:


All propaganda has to be popular and has to accommodate itself to the comprehension of the least intelligent of those whom it seeks to reach. — Adolf Hitler



When we clicked on the YouTube version of this video after it came out, almost every comment was furiously blasting Ke$ha as an “Illuminati B-tch.”

Undoubtedly, some of this spilled over into her personal life. There were probably several instances of her being aggressively confronted in public.

In an unprecedented breach of character, Ke$ha said she was forced to make the Luciferian “Die Young” video.

Clearly, the backlash she experienced for “submitting her application” was incredible. Then the devastating Sandy Hook school shooting happened.

In a rare and almost unprecedented breaking of character that could easily get her killed, Ke$ha came forward and said she had been “forced” to do this.

Ke$sha Claims She Was “Forced To Sing” Die Young

Ke$ha has attempted to distance herself from her own song Die Young in the wake of the Sandy Hook Elementary School massacre. 

The outspoken singer has blasted her hit song Die Young — which was pulled from a huge number of radio playlists following the shooting last week — claiming she was forced to sing the controversial words and always thought the content was inappropriate.

Writing a message on her Twitter page on Monday, the 25-year-old hitmaker said: ‘I had my very own issues with ‘die young’ for this reason. I did NOT want to sing those lyrics and I was FORCED TO.’



When mainstream culture — such as movies and the pop music — features this imagery so blatantly, wealthy individuals must be involved.

It costs millions of dollars to build these artists into superstars. The promotion of these symbols and themes is obviously intentional.

There is undeniable evidence that great, epic truths are being hidden from us.

As we wrote in Financial Tyranny, this imagery has also appeared in the most-viewed public ceremonies on earth — including the Olympics, the Super Bowl halftime show and the Grammys.

This may seem terrifying to you. I understand that. As Hitler said, the “big lie” is actually the safest bet, because no one can believe it’s really true.

However, I feel it is necessary, and liberating, to expose the truth.

I recommend stepping back and viewing it as information — a puzzle to be solved — and giving yourself permission not to be afraid of it.

From an impartial perspective, what we are seeing is undeniable evidence that there are great, epic truths being hidden from us.

The best part, as far as I’m concerned, is that the hidden information about the positive side of this global drama is much greater than the negative.

Nothing that is happening right now is random. We are not about to see an epic-scale loss of life. This is all part of a perfect plan.



We are going through a structured, global initiation process — which will have stupendously positive results.

The nemesis is real — and so is the hero.

The hero is you.



If you can look at this soberly, and not demonize the people trapped in this group, you are bravely following the teachings of Jesus and other great masters.

Forgiveness and understanding is the way through this — not replaying the same old cycles of labeling others as sub-human monsters worthy only of death.

Once we understand that this group is very real, and that most of its members feel trapped and fear for their lives, the story becomes very different.

Forgiveness and understanding is the way through this — not replaying the same old cycles of labeling others as sub-human monsters worthy only of death.

According to various insiders, there appear to be over a million people who are directly involved in this group in some way.

If some of them do want to come forward and stop the violence, they need to be given a chance.

I do feel there is a greater cosmic plan at work here. If we unilaterally dehumanize them as non-persons, then we will have failed that test.

This test is built into the ebb and flow of history itself. Nothing is random. There is a story written into history.

Every major event we go through is intelligently structured, for our own spiritual evolution — and has its place within the Story.

It seems impossible to believe. It is most definitely a non-mainstream view — but the evidence is overwhelming, and supported by the great religious traditions.



We are now in the “final showdown” in the story — the hero’s epic face-off against the nemesis, facing the greatest fears — right before victory is achieved.

Each of us is experiencing this on a directly personal level. More and more, we will have to face it — whether we like it or not.

Once we are willing to look at the truth, we step into the Hero’s Journey — and the possibility of a massive spiritual evolution for the positive appears.

I use remarkable scientific evidence to make this case, through the use of repeating cycles of history, in my latest book The Synchronicity Key.




These cycles of history appear in the Bible and many other great spiritual texts. They work so precisely that events often repeat within days of each other.

Wars, conflicts and scandals, as well as remarkable defeats of the villains and breakthroughs into freedom, are happening on a very precise timetable.

These events are not new. They are not original. Our apparent free will is dancing along — with remarkable perfection — to a pre-designed, epic storyline.

This can occur across historical gulfs of time that are quite vast in scope — including cycles of 539 and 2,160 years.

Even the same people are reincarnating, doing very similar things, and having very similar faces — including Hitler, Richard Nixon and Jimmy Carter.


Hannibal and Hitler: Same Faces, Same Invasions, Same Lands, Same Events, Exactly 2,160 Years Apart


Other precise examples for which facial resemblances have not yet been established include Joan of Arc and Johannes von Baysen, who later became Bill Clinton.

In the case of Hitler, Nixon and Carter, their actions repeat with astonishing precision across one Age of the Zodiac — namely 2,160 years.

The 12 zodiac ages add up to the Great Year of 25,920 earth years. This cycle is of extreme significance in understanding the cosmic Big Picture.

Human civilization appears to evolve in sudden bursts at the end of these roughly 25,000-year units of time. And the next mega-event is happening right now.

This may not be going exactly the way we had expected, but we’re in it.

In the reincarnation cases of Joan of Arc, Bill Clinton and others, they have re-appeared very precisely in one quarter of an Age of the Zodiac.

As we will argue a bit later, this is very likely happening to everyone — not just influential world figures.



Normally we would assume that a Zodiac quarter-cycle, or 2160 divided by 4, would be 540 years.

One of the mysteries in this “sacred science” is that 539 years — seven times 77 — works much better than 540 when we actually calculate the cycles and apply them to our history.

There is an astonishing one-to-one connection between 9/11 and the Battle of Swiecino, exactly 539 years apart — almost to the day.

There is an astonishing one-to-one connection between 9/11 and the Battle of Swiecino, exactly 539 years apart — almost to the day.

The day the Twin Towers were hit with airplanes was only six days from when thousands of arrows rained down from crossbows in the previous cycle.

The Battle of Swiecino was the defining struggle for the future of Europe in its own time.

This is only one of a cluster of events that are so similar to each other, in time and content, it beggars belief to try to write it off as a coincidence or “conspiracy theory.”

I discovered it by simply taking 9/11 and rewinding 539 years into the past, giving the window of September 1462.

Once I figured out who Clinton, Bush and Congress had been in the previous cycle, many interconnecting pieces fit together beautifully.

This is far too complex to go into in one article. It does take a 500-page book to properly explain all of this — and an entire chapter is focused just on 9/11.



This same cycle connection ultimately reveals that the secret Nazi faction brought over to the US after World War II, in Project Paperclip, will lose this epic battle in our time.

The faction that lost the war in 1462 was none other than the German Teutonic Knights — cyclical predecessors of the Cabal.

It is remarkable to watch the second-biggest movie of the year, Captain America: The Winter Soldier, and see a precise foreshadowing of this massive event — including a strong hint of the epic, high-level arrests that will occur.

None of this data was available when I wrote The Synchronicity Key, as the last significant changes to the manuscript were made in April 2013.

From May onward, only single words could be changed in accordance with the editor’s requests.



Ironman 3 was the second-biggest movie of 2013, after The Hunger Games.

Captain America: TWS is still the second biggest movie of 2014, after Guardians of the Galaxy.

Seen together, these two Marvel / Stan Lee movies give a remarkable and undeniable window into the alliance that is working to defeat the Cabal.

Though the alliance cannot yet make itself openly public, both of these movies are very strong revelations of what they are building up to.



In both cases I feel we are seeing well-financed operations by the alliance, some of which is working from within the US military, to tell us what is going on behind the scenes.



We will start with Ironman 3, in which the hero Tony Stark confronts the Bin Laden-esque villain “The Mandarin”, played by Ben Kingsley, in his headquarters.



What happens is very surprising — considering the Mandarin has been interrupting broadcast television and coming across as the ultimate terrorist of our time.

The art of leadership… consists in consolidating the attention of the people against a single adversary and taking care that nothing will split up that attention. — Adolf Hitler


It is amazing to watch the ISIS media bonanza blazing forward after Ironman 3 outed the whole agenda in the dialogue you are about to read — just a year before.

No one in the corporate media has dared to mention the astonishing similarity between the ISIS storyline and “The Mandarin” in Ironman 3.



The key scene we will be giving the dialogue from begins at 1:14:26 and extends through 1:18:23.

Robert Downey’s character Tony Stark busts in on the Mandarin’s lair, only to find that he is drinking beer and bedding gorgeous women.

Our dialogue begins at the moment Tony Stark surprises a very drunk Mandarin — and pulls a gun on him.



TS: Hey!

M: Bloody hell, bloody hell!

TS: Don’t move.

M: You want something, take it, although the guns are all fake, because those wankers wouldn’t trust me with the real ones.

TS: What?

M: Hey, do you fancy either of the birds [women in the room]?

TS: I’ve heard enough. You’re not him. The Mandarin. The real guy. Where? Where’s the Mandarin? Where is he?

M: Whoa! He’s here. He’s here but he’s not here. He’s here but he’s not here.

TS: What do you mean?

M: It’s complicated. Hey. It’s complicated!

TS: It is?

M: It’s complicated.



TS: It’s complicated. Ladies out. Out of the bed. Get in the bathroom. [To Mandarin:] Sit.

[Mandarin tries to crawl away. Tony shoots at where he’s going. Mandarin sits up.]

M: My name’s Trevor. Trevor Clattery.

TS: What are you? What are you, you’re a decoy or a double, right?

M: I’m not an understudy. Absolutely not. [Tony points the gun at him even closer.] Don’t hurt the face! I’m an actor.

TS: You’ve got a minute to live. Fill it with words.


M: Just a role. The Mandarin, see? It’s not real.

TS: Then how did you get here, Trevor?

M: Umm, well, I, uh, a little problem with, um, substances, and I ended up, uh, doing things – no two ways about it – in the street, that a man shouldn’t do.

TS: Next?

M: Then, they approached me about the role, and they knew about the drugs.

TS: They said they’d get you off ‘em?

M: They said they’d give me more! They gave me things. They gave me this palace. They gave me plastic surgery. They gave me things. [Falls asleep, snores]

TS: Did you just nod off? Hey! [Kicks him]


M: No, and a lovely speedboat! And the thing was, he needed someone. To take credit for some accidental explosions.

TS: He? Killian?

M: Killian. 

TS: He created you.

M: He created me.

TS: Custom-made terror threat.

M: Yes! Yes. His think tank thinked it up. The pathology of a serial killer. The manipulation of Western iconography. “Ready for another lesson.” Blah blah blah. [Hands Tony a beer. Tony rejects.]

Because of my performance, I brought the Mandarin to life.


TS: Your performance? Where people died?

M: No. They didn’t! That was costumes. Green screen!

Honestly, I wasn’t on location for half of the stuff. When I was, it was movie magic, love.

TS: I’m sorry, but I’ve got a best friend who is in a coma and he might not wake up. So you’re going to have to answer for that.

You’re still going down, pal. You under-… [Minion attacks him from behind, knocks Tony out.]



The Mandarin’s comment about “green screen” is particularly interesting, considering that even mainstream media had to admit that experts believed the ISIS beheading videos were fakes.



I was never able to move quickly enough to see any but the first of these videos — but apparently each of them are similar, wherein it fades to black before any blood is seen.

In this case there is obviously no “green screen,” but many people have questioned whether the knife allegedly being used even has a sharp edge.

Just like “the Mandarin” indicated in Ironman 3, the guy doing the beheading in this video may well be an actor who is not actually murdering anyone.

The best political weapon is the weapon of terror. Cruelty commands respect.
Men may hate us. But, we don’t ask for their love; only for their fear. — Heinrich Himmler



As the movie goes on from here, we find that Iron Man’s clone robot, the Iron Patriot, was going to be used as a Trojan horse to kill the President.

This, in turn, would create enough chaos to further the terrorist agenda being promoted by those who were using the Mandarin to achieve their goals.

Interestingly, the president in Ironman 3 is played by an actor who has an undeniable similarity to George W. Bush in his appearance.




Most astonishingly, the Vice President of the United States ends up being the main employer of the Mandarin.

The VP is arrested and frog-marched out of the White House at the end of the film!

This was the climax of the entire movie.

It definitely adds weight to what various insiders have told us for years now — namely that Pentagon insiders are working to create high-level arrests.



This is also an indirect but powerful suggestion that 9/11 was an inside job — and that Bin Laden was secretly working for the Bush Administration all along.

For those who are seasoned veterans of truth journalism, you may well have read hundreds of different articles about “Tim Osman,” et cetera. I know I have.

Ironman 3 was a very direct indication for the mass public of what the alliance is preparing to do — and why it will be necessary.

The actor playing the Vice President bears a more-than-passing similarity, in his look and overall “vibe,” to Dick Cheney.




In this year [2014]’s Captain America: The Winter Soldier, even more information was released to a massive, worldwide audience.

This appears to be one of the biggest, most tangible proofs yet that the alliance we have been leaking information from since 2011 actually does exist.

I hardly ever recommend movies, but like Ironman 3, this is another case where you definitely should see it if you haven’t already.



The whole movie is essentially the story of a small group of insider allies working to bring down a secretive Nazi cabal that has taken over the American intelligence apparatus.

The negative group calls itself “Hydra” — and the “big reveal” comes from 1:01:21 to 1:06:31 in the film.

The Hydra logo bears an undeniable resemblance to the Skull and Bones Society symbol, which in turn is a derivation of the Skull and Crossbones symbol.

The Skull and Crossbones “black flag” was flown on pirate ships that were actually owned and run by the Knight Templars.

The interdiction and theft of the gold coming out of Mesoamerica provided the Templars — an earlier incarnation of the Cabal — with vast sums of capital.




Much of the fight up to this point in the film has involved getting a USB stick with classified info on it into a vast, old-fashioned military computer terminal.

Here, SJ is Scarlett Johanson, CA is Captain America, and C is for Computer. SHIELD represents the US military-industrial complex and its intelligence apparatus.

Considering how many hours can be spent fine-tuning film dialogue to say as much as possible in as few words as possible, I am confident this was very well thought out.

The computer also shows a wealth of fast-moving visuals to support the dialogue — so to get the full effect, you do have to see the movie.


SJ: This can’t be the data point. This technology is ancient.

[She sees a USB port and inserts the USB stick. The computer springs to life. Screen says “Initiate System?” and she types “Yes.”]

SJ: Shall we play a game? It’s from a movie that my grandpa…

CA: Yeah, I saw it.

[Computer hums to life.]

C: Rogerson, Steven, born 1918. [Camera turns to SJ.] Romanov, Natalia Arianovna, born 1984.

SJ: It must be some kind of a recording.

C: I am not a recording, Fraulein. I may not be the man I was when the Captain took me prisoner in 1945, but I am. [Cuts to picture of original person.]



SJ: [To CA:] You know this thing?

CA: Arnim Zola was a German scientist who worked at the Red Skull. He’s been dead for years.

C: First correction. I am Swiss. Second. Look around you. I have never been more alive.

In 1972 I received a terminal diagnosis. Science could not save my body. My mind, however, that was worth saving – on 200 thousand feet of databanks. You are standing in my brain.


CA: How did you get here?

C: Invited!

SJ: It was Operation Paperclip. After World War II, SHIELD recruited German scientists with strategic value.

C: So I would help their cause. I also helped my own.

CA: Hydra died with the Red Skull.

C: Cut off one head, two more shall take its place.

CA: Prove it.

C: Accessing archive. [Images]


C: Hydra was founded on the belief that humanity could not be trusted with its own freedom. What we did not realize was that if you try to take that freedom, they resist.

The war taught us much. Humanity needed to surrender its freedom willingly.

After the war, SHIELD was founded – and I was recruited.

The new Hydra grew – a beautiful parasite inside SHIELD.

For 70 years, Hydra has been secretly feeding crisis. Breeding war.

And when history did not cooperate, history was changed.


SJ: That’s impossible. SHIELD would have stopped you.

C: Accidents will happen. [Images of people who resisted and died. One looks a lot like the Kennedy assassination.]

Hydra created a world so chaotic that humanity is finally ready to sacrifice its freedom to gain its security.

Once the purification process is complete, Hydra’s New World Order will arise.

We won, Captain. Your death amounts to the same as your life. A zero sum.

[Captain America punches the screen and breaks it. Another screen lights up.]

C: As I was saying…


CA: What’s on this drive?

C: Project Insight requires insight. So I wrote an algorithm.

SJ: What kind of algorithm? What does it do?

C: The answer to your question is fascinating. Unfortunately, you shall be too dead to hear it. [Blast doors slam closed behind them.]

SJ: [Looking at her smartphone:] Steve, we’ve got a bogey. Short-range ballistic, thirty seconds tops.

CA: Who fired it?

SJ: Shield.

C: I am afraid I have been stalling, Captain. Admit it. It’s better this way.

[CA pulls a grate off of the floor, revealing a pit to jump into.] We are — both of us — out of time. [Missile hits! CA and SJ jump into the pit just in time.]



Project Insight involves three hovering aircraft carriers that go up into the atmosphere and begin targeting everyone who represents a threat to Hydra.

Here they are as they first rise up out of their secret, underground bunker next to the water.



A computer-controlled system targets many thousands of people per second for instant death by particle-beam weaponry.

Hydra believes this will help them to achieve their goals by destroying everyone who resists them in one single, stunning blow.

The montage of targets for Project Insight includes multiple staff in the Pentagon, as well as the White House — including the President of the United States.



We quickly find out that the first area the three carriers are about to start “cleaning up” is much of the Northeast United States.




One of our highest-positioned insiders was absolutely stunned when he saw this movie.

He said that the aircraft carriers in this film are precisely identical to what the US military actually possesses in secret.

I was told that these carriers have a light-bending technology called “masking”, but that the military does occasionally allow them to be seen.

From the ground, they will usually just appear as a group of lights in the night sky, and will be written off as “another UFO sighting.”

All of the jets in the movie are genuine, classified aircraft as well — and date back to the 1980s, if not earlier.



Furthermore, these aircraft carriers typically travel in groups of three — just like we see in the movie.

In the real world, one of the three craft will be a flying black triangle — the TR-3B — that carries larger aircraft than the other two can hold.

This next image of an alleged black triangle over Paris is probably a fake, but it is a good approximation of what the TR-3B looks like.



The slightly-smaller aircraft carriers, just like we see in Captain America and The Avengers, provide defensive perimeter support for the larger triangle craft.

Our insider also said that the gun turrets for Project Insight at the base of the carriers are called “heads,” and are precisely what these weapons really look like.

The technology described as “Project Insight” in Captain America: TWS is absolutely real — and highly classified.

In short, the technology described as “Project Insight” in this movie is absolutely real — and highly classified.

There are other ways these weapons can go airborne besides through the use of aircraft carriers, but this is a legitimate scenario.

I was told about this technology at least three years ago now — and never, ever expected to see it in a mainstream film. It was very surreal.

I never said a word about it due to the threat, the level of secrecy and my firm belief that it would never be used — but now it’s out there in a very popular movie.

This system would have already been used, in a faked alien invasion, were it not for ongoing “divine intervention” from high-level, positive ETs — and diligent police work by the alliance.



Before we get to Scarlett Johansson’s trial at the end of the film, two other scenes are worth mentioning.

At 1:12:44, a scene begins where Garry Shandling, playing a US senator, meets with a top SHIELD operative.

In a shocking moment, Shandling shakes the agent’s hand and whispers “Heil Hydra” into his ear at 1:13:16.

This nausea-inducing scene reveals how the penetration of this cabal goes all the way up through the elected government and intelligence apparatus.



The other pivotal scene is after Captain America and his allies have successfully destroyed all three aircraft carriers at the last minute.

At 1:55:04 Robert Redford’s character Pierce, the apparent head of Hydra, dies of bloody gunshot wounds after his cover has been blown.

Although I do not in any way advocate violence, this could indicate that certain high-level operatives within the Cabal may be assassinated, rather than given an open, public trial.

My guess is that if this happens at all, it will only be for the most extreme, threatening cases.



It is very likely that if the takedown of the Cabal proceeds as various insiders — and now these movies — have leaked, there will be public tribunals.

Very high-ranking Cabal members who did not get killed or commit suicide will end up on national television — revealing everything they know before a judicial panel.

We may very well see famous pop stars and film actors in these tribunals — revealing things we never would have expected them to say.

This could go all the way up to senior elected officials and heads of state. If this ever happens, it will be the most revealing moment of modern history.

Just imagine what it would / will be like to have presidents on national television breaking down in tears as they talk about how they were bullied, threatened and tortured by an occult group.



This cabal is so secretive that even the top-level people know a lot less about them than we would expect — but their stories will be extremely poignant.

The collective walls of denial will break down. We will all be forced to move out of our “comfort zone” and accept new truths as self-evident facts.

Many people will be very, very upset by this. It’s akin to that moment where you walk into the room and find your loved one in bed with someone else.

Our entire sense of God, and the goodness of the universe and of life on earth, will be challenged — and new insights will be required.

Not everyone believes we were created equal. The leaders of a small group have considered humanity to be a cancer on the earth that must be exterminated.



It may seem impossible, but such events have happened before. It’s part of the classic storyline that keeps being retold on earth over thousands of years.

In The Synchronicity Key I reveal the remarkable cycle connections between the end of the Reign of Terror and assassination of Robespierre in the French Revolution, and the assassination of Soviet dictator Josef Stalin.

The defeat of the Nazis and the subsequent Nuremberg trials are another seemingly unimaginable event, for its time, that actually did happen.

Entire civilizations have been through this part of the story many times before. What most people don’t realize is how precisely cyclical all of this is.

Our modern version of the tribunals is also forecasted quite remarkably in Captain America. It happens almost as an afterthought, at the end of the movie.




Scarlett Johansson’s character Black Widow / Natalia ends up leaking a massive amount of classified SHIELD docs from the USB stick onto the internet.

In the process, she causes seemingly grave damage to the intelligence apparatus. How is America supposed to defend itself against its enemies now that this has happened?

In this final scene, she is being grilled by government officials, in a public trial, about what she has done. It begins at 2:02:43.



Here is the critical dialogue between the characters during the tribunal. Not knowing the names, I just used “G” for the first guy and “G2” for the second.


G: Why haven’t we yet heard from Captain Rogerson?

SJ: I don’t know what there is left for him to say. I think the wreck in the middle of the Potomac made his point fairly eloquently.

G: Well, he could explain how this country is expected to maintain its national security now that he and you have laid waste to our intelligence apparatus?

SJ: Hydra was selling you lies, not intelligence.

G: Many of which you seem to have had a personal hand in telling.

G2: Agent, you should know that there are some on this committee who feel, given your service record, both for this country and against it, that you belong in a penitentiary. Not mouthing off on Capitol Hill.


SJ: You’re not going to put me in a prison. You’re not going to put any of us in a prison. You know why?

G2: Do enlighten us.

SJ: Because you need us. Yes, the world is a vulnerable place. And yes, we helped make it that way.

But we’re also the ones best qualified to defend it.

So if you want to arrest me, arrest me. You’ll know where to find me. [She leaves.]



In this next bit of dialogue, the former head of SHIELD, played by Samuel Jackson, reveals that not everyone in the Cabal (Hydra) was identified in the first wave.

This dialogue begins at 2:04:35.



NF: We’ve been data-mining Hydra’s files. Looks like a lot of rats didn’t go down with the ship.

I’m headed to Europe tonight. I wanted to ask if you’d come.

CA: There’s something I’ve got to do first.



The indie film Snowpiercer, also featuring Chris Evans in the lead role as he was in Captain America, is a very interesting, full-length “reveal” about the Cabal.



In it, the last surviving members of humanity are trapped together on a train — which becomes a metaphor of how the Cabal treats humanity in the present.

A deliberate war is created to reduce and maintain population — with Evans’ character ultimately being thanked for the violent revolution he helped to create.



Additionally, the two most recent Tom Cruise movies, Oblivion and Edge of Tomorrow, also fill in valuable, even astonishing data points.

Let’s discuss Oblivion first. Though it didn’t do as well in the box office as Ironman 3, it is just as revealing in its own way.




The film Oblivion starts out with most of humanity apparently having been moved off of the earth to a colony in space.



Giant ships are removing all the water from the oceans — ostensibly because earth has “died” and the water is needed for the colony.

A small group of survivors are treated as villains, even aliens — and drones are used to take them out.



Tom Cruise’s character lives in a futuristic, floating paradise with his wife, working as a soldier apparently for the human survivors out in space.

He is there to repair the drones, which go around killing anyone else left behind but him. His job is to make sure they still function.




He is taught to only act within a certain area, as everything outside that area is apparently radioactive.



Ultimately, Cruise’s character realizes the people the drones are killing are not monsters or aliens — they are the only human survivors left.

This allegedly giant human colony in space, called “The Tet,” is actually an extraterrestrial AI system that has invaded Earth — and is destroying it.

“Tet” is obviously short for “Tetrahedron” — a triangular pyramid. Hmmm.



Without giving away a variety of plot twists, Cruise’s character ends up facing off against the artificially intelligent menace directly.

What he sees is a gigantic upside-down triangle with a red dot — an eye — in the middle.



It is an absolutely undeniable symbol of the Illuminati All-Seeing Eye in the triangle, atop the pyramid on the Great Seal of the United States.

The message is only very thinly veiled by turning the triangle upside down and clipping off the corners.




In Edge of Tomorrow, the message gets even more explicit, in some ways.



Cruise’s character is a high-ranking military official who gets framed and thrown into active duty as a grunt soldier.



He is outfitted with an advanced battle-robot system that enhances his own body movements, and he gets rushed into combat against terrifying aliens.



The aliens ambush the military’s position almost immediately. He barely makes it to the ground in his parachute, kills one of them, and dies right aftewards.

He then is reborn — over and over again. Each time he dies, he just starts over from the same day again, like Groundhog Day.




Over time, Cruise and Emily Blunt’s character figure out that the only way they can stop the invasion is to take out the central brain running the whole thing.

My interest and intrigue skyrocketed when I saw that the “brain” was a spherical mass of tentacles contained within a very obvious pyramid shape.

This is much clearer in the film than any single, still image can convey.



It gets even more fascinating when we realize where this brain is located.

At first, it appears to be in Germany — hiding in the remains of a Nazi military facility.

We already saw that Hydra in Captain America: TWS was a Nazi group. Now Edge of Tomorrow seems to be conveying exactly the same message.



However, once they finally fight their way there, it’s a dead end.

The brain has been disguising its true identity — putting out false signals about its true identity and whereabouts.

Only then do the allies push even harder — and figure out the actual location of the brain.

I was shocked when the film placed the final location of the brain as being directly beneath the glass pyramid in the Louvre.



Why does this matter? This is the exact same location where the body of Mary Magdalene is buried at the end of The Da Vinci Code.




The idea that the “Holy Grail” is not a chalice, but actually a sacred, secret royal bloodline is the ultimate point of Da Vinci Code.

The “quest for the Holy Grail” becomes a search for the secret that Jesus survived the Cross and had children with Mary Magdalene.

At the end of the film, we discover that many of these people are still alive — and they have preserved their genealogy with meticulous care.

Insiders confirmed this film was intended to presage a formal disclosure to humanity, by the Cabal, of their presence — an event they call “The Revealing.”

By portraying themselves as the living descendants of Christ, they hoped to be openly accepted as Gods among us.

I covered many fascinating details about this story, including whistleblower testimony, in my epic 2007 piece The Revealing.

James Cameron was preparing to come forward with a coffin that allegedly contained Jesus’ remains — complete with dust that could be DNA-tested.




Illuminati symbols were widely used in the promotion of this film — including the telltale triangle over Audrey’s eye in the following poster:



It cannot be an accident that the hive-mind of the invading aliens in Edge of Tomorrow was located in the exact same place as Mary Magdalene’s body was buried in The Da Vinci Code.

I had a dentist who was a Scientologist, like Cruise. 

I routinely talk to people about these things and gently see how much they can handle.

I quickly found out that Scientologists are very well aware of the Cabal — much more than most people.

The topic of bloodlines is very interesting — and we will get back to that in Part Two.

Like so many things, it turns out that what the Cabal believes at the highest levels is the mirror-opposite of what they were presenting in films like Da Vinci Code.



I hope you can see with this new data, which I have never before summarized like this, that you are not alone.

The idea of a global elite cabal is not a “conspiracy theory”, relegated to dubious sites on the internet and millennial paranoia.

The theme of exposing and arresting the Cabal is finally making its way into big-budget Hollywood films.

Enough powerful people know about this now that the theme of exposing and arresting the Cabal is making its way into big-budget Hollywood films.

Not all Hollywood films are influenced by the Cabal, though many of them are.

Both Stan Lee and Tom Cruise appear to be using the money they earned from other successful films to help put out a positive message.

Most interestingly, these films help confirm what insiders have been leaking to us all along — namely that an international alliance is working to solve the problem.

Nothing that we are seeing happen right now is random in its timing or content. Nor will the high-level arrests be an unexpected, never-before-seen moment.

This is an intelligently scripted event in the global storyline — written into cosmic cycles that are vastly older than all life on earth.



[Click here to go directly to information about David’s all-day event this Saturday, November 1st, in Sedona.]