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CHAPTER
04: THE BREATH OF THE DIVINE AND “SUPERSTRING
THEORY”
This author’s first
understanding of this pulsating movement
of aether known as the “Breath of
the Divine” or “Breath of
the Compassionate” came from a passage
that fellow researcher Joe Mason (www.greatdreams.com)
read him out of a book on the first night
that they shared information, November
9-10, 1996. This conversation directly
led to Wilcock’s first telepathic
breakthrough to Higher Intelligence the
next morning, which started an entirely
new life as the “veil” was
lifted. Mason graciously supplied us with
these next two paragraphs to illustrate
the example of this geometric breath that
he uncovered.
The late Walter Russell,
who was an artist and scientist located
in Waynesboro, Virginia, had a published
reading on pg. 165 in the book “Channeling”
by John Klimo. Russell claimed that the
messages came from “God,”
and that they gave him an understanding
of how the basic universal forces of electromagnetism,
gravity, and atomic energy really operate.
Let’s hear what God has to say,
from an excerpt first published in 1947:
“In My universe there
is but one form from which all forms appear.
That one form is the pulsing cube-sphere,
two halves of the heartbeat of My dual
thinking. All forms pulse, therefore,
all forms are two, one form for the inbreathing
pulse, which generates, and one for the
outbreathing, radiating one. The cube
is the sphere expanded by the outward
breath to black rest in cold space, and
the sphere is the cube compressed to the
incandescence of white-hot suns by the
inward breath.”
Walter Russell was clearly
way ahead of his time, as in the early
20th century he experienced 39 days of
“illumination” where he could
see how the Universe really worked. Many
students of Russell’s work are delighted
to see that we have continued along similar
lines, drawing upon many new findings
that were not available at his time, and
we attended his surviving organization’s
“Metascience and Cosmic Consciousness”
conference in 2000. The website for this
group, the University of Science and Philosophy,
is www.philosophy.org. The author is also
happy to have met John Klimo, the author
of the book “Channeling,”
in 2002 at the US Psychotronics Association
conference, where Wilcock was a well-received
speaker and workshop presenter. Klimo
has recently done a dramatic revision
and updating of this classic text, still
often considered to be required reading
for those who wish to learn about channeling.
If we examine the above
excerpt, we again have the psychic suggestion
that the entire Universe is continually
pulsating from the spherical "incandescence
of white-hot suns" to the cubical
"black rest of cold space."
Although this particular passage does
not intimate the speed with which this
pulsation is occurring, sources such as
Seth and Ra fill in the gaps. And therefore,
from this little-known psychic source
from the early to mid-twentieth century,
we have another contact with a Higher
Intelligence that was attempting to reveal
to us the hidden harmonic code of the
progression of densities. The quote above
expresses the heart of the story, without
going into all the technical detail regarding
the different shapes making up the Octave.
The Ra contact did not name the actual
shapes either, as they explained that
it is very difficult for them to use words
that are not already stored within the
channel's conscious or subconscious mind.
Looking at Russell's quote, we can see
that even without the extra geometries
added in, there are very close similarities
to the Hindu story of Purusha and Prakriti.
Again, we have the masculine and feminine
forces dancing in an eternal pulsating
rhythm with each other, representing what
Russell's source called the “two
halves of the heartbeat of My dual thinking.”
(It is important to point out that some
of Russell’s diagrams, such as in
the book Atomic Suicide?, do show the
other Platonic Solids as well.)
An even more direct example
of this energetic behavior comes from
the highly respected book The Seth Material,
brought through by Jane Roberts in 1971.
Roberts claimed to be in contact with
an entity who called itself Seth and said
that it was from the fifth dimension.
In The Seth Material there is ample evidence
given for Seth's high intelligence and
capabilities, as he could perform psychic
"parlor tricks" such as reading
the contents in sealed envelopes, and
at one point he also led a very high-level
philosophical discussion with a tenacious
college professor who was determined to
"debunk" the contact. The professor
repeatedly referred to ancient metaphors
and abstract philosophical concepts that
only a graduate philosophy student would
have known, and Seth was consistently
aware of exactly where the professor was
going and provided quite the intellectual
challenge point-for-point. Furthermore,
at various times Seth was actually capable
of creating visual holographic images
of himself or other related phenomena,
as well as being able to alter the consciousness
of others in the room to a trance-like
state if he so chose.
In The Seth Material, a
picture of Seth is drawn as he appeared
in apparition form in front of one of
Roberts' friends during a session. The
large bald head and black eyes is almost
stunningly reminiscent of the Grey features
that would become so commonplace more
than 15 years later, with the advent of
“Communion” by Whitley Strieber.
Figure 4.1 – The
appearance of “Seth” in 1969
as seen by an associate of Jane Roberts.
Again, this apparition was
an actual visual manifestation that occurred
in the room during one of Jane Roberts'
trances, as the reading itself talked
them through the experience. While Robert
Butts continued to transcribe Seth's words,
William Cameron Macdonnel sketched the
entity. Seth later commented that the
head Bill had drawn was too tall, and
lowering the height of the skull would
only make the apparition look even more
like a typical Gray – though this
was way before such images were popular.
Says Seth, in our quote from Jane Roberts'
book:
"[This picture] represents
the appearance that these abilities of
mine take on when closely connected with
the physical plane. This does not necessarily
mean that in all planes I have the same
image. It is the first such representation
of me, and I am quite fond of it…"
[Note: Roberts then includes
the following information:]
…Seth explained that
the apparition's appearance was distorted
by Bill's own ideas, though. The high
forehead represented Bill's interpretation
of great intelligence, for example. Bill
interpreted the available data in his
own way: this was the Seth that Bill saw,
regardless of Seth's own appearance.
Now, this enigmatic image
has filtered its way through the collective
consciousness of humanity, largely through
the efforts of Whitley Strieber and his
groundbreaking work “Communion.”
It is quite stunning to realize that at
the time that this apparition was first
seen in 1969, the "Summer of Love,"
almost no one was aware of this facial
morphology as being related to extraterrestrials.
Now, were the event to have happened again,
Seth would probably look even more like
a typical Gray than he did here, due to
the effect that a human's perception has
on the actual image itself.
The most extraordinary aspect
of this body of material is that Seth
dictated a number of full-length books
from 1971 to the mid-1980’s, entirely
through the repeated sessions with Jane
Roberts and her husband Robert Butts.
Even if Jane left the Seth work for months
at a time and never read the transcripts
of any of the sessions, Seth would pick
up right where he left off as soon as
she went back into trance. There may not
be a single other contact yet that has
generated entire books, with themes that
build up from chapter to chapter, through
psychic readings in such a reliable and
consistent fashion.
Seth identifies himself
to us as a male entity, and the material
does not have the rigid scientific and
linguistic structure of the Law of One
/ Ra Material. Being a full level of density
lower than Ra, Seth has much more creative
license to use an entertaining dry wit
in his writing. The Seth books are practically
unparalleled, in terms of the strength
and accuracy of a fifth-dimensional contact.
Again, contacts such as the Cayce Readings
and the Ra Material do originate from
even higher levels such as 6,7 and even
the Akasha, or the Octave, but the Seth
Material is definitely in a league by
itself with its crystal-clear contact
to the fifth density. Furthermore, as
you study the Law of One series from Ra
and learn the characteristics of fifth-density
entities, you can clearly see where Seth's
shortcomings lie. According to Ra, the
fifth-density is focused on wisdom, and
the graduation to sixth-density does not
come until pure compassion is fused back
together with that wisdom. Ra constantly
speaks reverently of the Law of One and
the importance of compassion, whereas
it is clear to see that Seth is very deeply
involved with explaining as much of the
universal wisdom as he possibly can. In
our opinion, the “thirst for God”
doesn't seem to be present in the Seth
Material to anywhere near the degree that
it is in the Law of One series, and this
certainly could relate to Roberts’
natural personality, which was essentially
non-religious and skeptical, as opposed
to Carla’s natural personality,
which is very religious and spiritually-driven.
Because the wisdom of Seth
is so vitally essential to understanding
our propositions, we will take a look
at two extended sessions that will help
us understand everything we have gone
into so far. As we read these sessions,
it is very important to realize that on
the conscious level, Jane Roberts was
by no means schooled enough in science
to have been able to construct such a
model of physics on her own, as was the
case with Carla Rueckert. The first session
that we will investigate is described
in The Seth Material as being the “first
time Seth really ‘came through’
as a definite other personality, laughing
and joking.” (Pg. 38.) Seth used
this particular session as a form of encouragement
for Jane and Robert to continue working
with him, as Jane had become disillusioned
with the strangeness of what was happening
to her and wanted to try to shut it down.
The contact had originally started through
a series of Ouija-board sessions, but
as time went on Jane became more and more
aware that whole words and sentences were
coming into her mind very clearly before
the pointer ever spelled them out. In
the beginning, she was so disconcerted
with what was happening to her that she
would pace the room, one hand on her forehead
and eyes wide open, as she spoke for Seth.
Since this was taking a
great toll on Jane's sense of normalcy,
she really wanted to quit, but on this
day, “The session so aroused our
intellectual and intuitional curiosity
that all thoughts of discontinuing went
out the window.” (Pg. 38.) Remember
now that Seth is describing how these
individual spheres of consciousness are
all interconnected into a unified web,
fitting together to form universes.
Let us also remind the reader
that Seth’s readings on this subject
will take on profound implications when
we compare them with the most recent discoveries
of modern physics. As we will see in future
chapters, Seth clearly was tapping into
the truth of “how things work”
before the physicists began to understand
it. So now, relax and enjoy yourself as
we journey through these mind-bending
readings. The italics are our own.
Consider a network of wires,
a maze of interlocking wires endlessly
constructed so that looking through them
there would seem to be no beginning or
end. Your plane [or density or dimension]
could be likened to a small position between
four very spindly wires, and my plane
could be likened to the small position
in the neighboring wires on the other
side. Not only are we on different sides
of the same wires, but we are at the same
time above or below, according to your
viewpoint. And if you consider the wires
as forming cubes - this is for you, Joseph*,
with your love of images - then the cubes
could also fit one within the other, without
disturbing the inhabitants of either cube
one iota. And these cubes are themselves
within cubes, and I am speaking now only
of the small particle of space taken up
by your plane and mine.
[Seth's reference to "cubes"
would be accurate for his own dimension,
but in ours it would obviously be the
octahedron. So, he is clearly simplifying
the material in order to make his point.
*Seth referred to Robert
as "Joseph," as apparently where
Seth resided, this was Robert's "true
name." Similarly, Jane was assigned
a masculine "true self" name
of Ruburt, as we shall see a few paragraphs
below.]
Again think in terms of
your plane, bounded by its small spindly
set of wires, and my plane on the other
side. These, as I have said, have boundless
solidarity and depth, yet to one side,
the other is transparent. You cannot see
through, but the two planes move through
each other constantly. I hope you see
what I have done here. I have initiated
the idea of motion, for true transparency
is not the ability to see through, but
to move through.
This is what I mean by fifth
dimension. Now, remove the structure of
the wires and cubes. Things behave as
if the wires and cubes existed, but these
were only constructions necessary even
to those on my plane... We construct images
consistent with the senses we happen to
have. We merely construct imaginary lines
to walk on.
[Indeed, in coming chapters
we will see this same point made through
the work of Bruce Cathie, where he discovered
that the fifth-density cube shape was
a Global Grid system that was being used
for navigation by a wide variety of UFOs
that were sighted. Furthermore, Seth's
comments reveal to us that these geometries
are not 'real' as we would normally think
- they are simply a different way of expressing
a harmonic frequency of vibrating energy.
The only thing that is truly 'real' is
that One Energy itself, as the lines simply
represent stress points in that energy,
where it is more concentrated.]
So real are the wall constructions
of your room that you would freeze in
winter without them, yet [in the truest
universal sense] there is no room and
there are no walls. So, in a like manner,
the wires that we constructed are real,
though there are no wires. The walls of
your room are transparent to me, though
I am not sure I would perform, dear Joseph
and Ruburt, for a party demonstration.
Nevertheless, those walls
are transparent. So are the wires, but
for practical purposes we must behave
as if both were there. . . . Again if
you will consider our maze of wires, I
will ask you to imagine them filling up
everything that is, with your plane and
my plane like two small bird’s nests
in the nestlike fabric of some gigantic
tree.
Consider that these wires
are mobile, constantly trembling, and
also alive, in that they not only carry
the stuff of the universe but are themselves
projections of it, and you will see how
difficult this is to explain. Nor can
I blame you for growing tired, when after
asking you to imagine this strange structure,
I then insist that you tear it apart,
for it is no more to be actually seen
or touched than is the buzzing of a million
invisible bees.
Once again we are finding
consistency in the extraterrestrial reports
regarding this complex harmonic energy
structure in the Universe. So, as Seth
appears almost indistinguishable from
the classic image of the Grays, it is
not hard to infer that Seth is giving
us a precise description of how some of
our visitors perform their interdimensional
travel. Essentially, Seth is telling us
that they are using these energetic harmonic
structures for navigation, and that they
are both formed from and carriers of intelligent
energy at the same time. Seth makes it
quite clear that the shape he is working
with here is the cube, which corresponds
perfectly to his being a fifth-density
being, in light of the Vedic model of
geometry. Obviously, the other shapes
are not mentioned, but as Jane says before
the quotation, “We had no idea that
it was actually a highly simplified explanation,
cleverly geared to our own level of understanding
at the time. It made a tremendous impression
on us nonetheless.”
SUPERSTRING THEORY
Further enhancing the validity
of this contact, Seth’s 1969 essay
gives a precise description of the “Superstring
Theory” of modern physics, which
did not fully come about until the mid-1980’s.
Dr. Michio Kaku’s book Hyperspace
is the simplest and most well known resource
for introducing us to this complicated
new theory. Early along in the book, Kaku
mentions that Superstring Theory first
came about from physicists who grappled
with a large and fundamental problem in
physics, which we have already touched
upon briefly. That fundamental problem
was the fact that a “photon”
of light can be clearly shown to possess
the properties of a wave, even when our
contemporary models would not provide
any background energy in the Universe
that such waves could travel through.
(We remind the reader that Zero-Point
Energy and "aether" theories
have filled this gap, and are becoming
more and more widely accepted.) Explaining
this point in greater detail, Dr. Kaku
says,
But if light were a wave,
then it would require something to be
‘waving.’ Sound waves require
air, water waves require water, but since
there is nothing to wave in a vacuum (though
light still travels through it with ease,)
we have a paradox. How can light be a
wave if there is nothing to wave?
Again, the premise of our
model is that the “waves”
themselves are traveling through this
fantastic concentration of “background”
aether energy that exists throughout the
Universe. As we continue in Hyperspace,
Kaku then describes the shock he encountered
when discovering Kaluza-Klein theory,
which directly paved the way for an understanding
of what was going on:
Since the theory was considered
to be a wild speculation, it was never
taught in graduate school; so young physicists
are left to discover it quite by accident
in their casual readings. This alternative
theory gave the simplest explanation of
light; that it was really a vibration
of the fifth dimension, or what used to
be called the fourth dimension by the
mystics. If light could travel through
a vacuum, it was because the vacuum itself
was vibrating, because the “vacuum”
really existed in four dimensions of space
and one of time. By adding the fifth dimension,
the force of gravity and light could be
unified in a startlingly simple way...
So, it is clear that the
Kaluza-Klein theory required there to
be some form of background energy source
in the “vacuum.” Kaku briefly
describes how the Superstring model helped
iron out the conceptual problems that
the Kaluza-Klein theory introduced, and
after this explanation he continues (italics
added:)
Many of the world’s
leading physicists now believe that dimensions
beyond the usual four of space and time
might exist... Indeed, many theoretical
physicists now believe that higher dimensions
may be the decisive step in creating a
comprehensive theory that unites the laws
of nature; a theory of hyperspace. If
it proves to be correct, then future historians
of science may well record that one of
the great conceptual revolutions in twentieth-century
science was the realization that hyperspace
may be the key to unlock the deepest secrets
of nature and Creation itself… (pg.
9.)
The extraterrestrial information
strongly favors the idea that these ‘strings’
are in fact waves of frequency that travel
through the ‘aether,’ which
Russian scientists call “torsion
fields.” This is slightly different
from Superstring Theory, as Kaku and others
would visualize the universe actually
built up solely from these strings. The
ancient Atlantean / Ra model sees the
“strings” as simply being
waves in an aetheric medium. Later in
the book, Dr. Kaku explains this theory
further, pointing out how much it helps
to explain:
String theory answers a
series of puzzling questions about particles,
such as why there are so many of them
in nature. The deeper we probe into the
nature of subatomic particles, the more
particles we find. The current “zoo”
of subatomic particles numbers several
hundred and their properties fill entire
volumes.... String theory answers this
question because the string, about 100
billion billion times smaller than a proton,
is vibrating; each mode of vibration represents
a distinct resonance or particle. The
string is so incredibly tiny that, from
a distance, a resonance of a string and
a particle are indistinguishable. Only
when we somehow magnify the particle can
we see that it is not a point at all,
but a mode of a vibrating string.
In this picture, each subatomic
particle corresponds to a distinct resonance
that vibrates only at a distinct frequency.
Essentially, in this above
passage, we can clearly see that when
Seth says, “Consider that these
wires are mobile, constantly trembling,
and also alive,” he was giving an
even more complete hyperdimensional model
that was about fifteen years ahead of
this cutting-edge modern physics theory,
which Kaku describes as “21st century
physics dropped into the hands of the
20th century.” Plus, Seth was speaking
through Jane Roberts, who was by no means
a physicist and obviously had not the
slightest clue that the obscure foundation
of Kaluza-Klein theory ever existed.
Although the foundations
of Superstring Theory certainly aid tremendously
in legitimizing the Octave model of energy
densities or dimensions, we still have
a problem, in that Kaku’s book clearly
states that the physicists have mathematically
“proven” that there have to
be at least 10, and possibly 26 dimensions
in the universe. Ra and other sources
insist that all of the dimensions are
unified as an Octave of eight densities
of vibrating “intelligent energy,”
and therefore the 10-dimensional model
is just a bit too high. But before we
dismiss Ra's words as disproven, we must
look carefully, as this number shows up
in quite directly Kaku’s book as
well.
Thus, in the next
chapter we will uncover the impossible
-- a direct connection between the physics
work of Dr. Kaku and our metaphysical
idea of the dimensions being structured
in an octave form. Many, many psychic
sources including Cayce, Ra and Scallion
are unanimous in stating this, including
Wilcock’s own, before he was even
aware of what exactly he was being told.
What should impress us even more will
be that Srinivasa Ramanujan, the mathematician
whose equations set the entire model for
modern “string theory,” was
apparently using quite similar mystical
techniques to those of Seth, Ra and others
to gain his findings. Even though such
techniques might seem to be completely
scientifically unacceptable, no one in
mainstream science can deny the outstanding
importance of Ramanujan’s mathematical
concepts. Although his findings were embraced,
no further research was done to determine
how he came about receiving them in his
trance states. Therefore, we will refer
to Ramanujan, this enigmatic figure, as
the “Edgar Cayce of Physics.”
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