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CHAPTER
19: GEOMETRIC TIME AND THE WILCOCK CONSTANT:
RA'S SCIENCE REVEALED
With this chapter we will
directly see the harmonic structures that
are visible in time, and the direct geometry
that goes along with them. Once we have
done so, the theoretical foundations for
the universal applicability of the Nineveh
Constant will be easily seen, as our Galaxy
is also operating under these harmonic
geometries in time. So obviously, the
very first question that comes to mind
is this: even if we knew that we were
looking for Platonic geometry, how could
we chart out the passage of time in such
a way as to have a solid measurement of
its effects that might allow us to see
such a structure? Almost all graphs that
we see, regardless of what phenomena in
time that they are measuring, are expressed
in two dimensions -- an X axis and a Y
axis. How would we be able to use such
a graph to visualize a Z axis and thereby
extend our perception of the effects of
time out into three dimensions?
The even more fundamental
question is this: "How do we know
whether time is simply a static, "linear"
phenomenon that produces no changes within
nature in and of itself as it passes by,
or an active, "topological"
phenomenon that produces predictable,
recurring patterns in neatly organized
cycles?" What possibly could we look
for in trying to discover if time has
a dynamic shape? In order to hope to see
a shape of any kind, we would have to
find something that changes, something
that does not stay the same but has the
potential to move in different, measurable
directions.
We have already shown the
proof that Light itself has just such
an active, topological structure -- and
our one of our original arguments, seen
in both the "Unified Field"
theories of John Nordberg and Dewey Larson,
is that all of Space is filled with a
sea of Light that we do not normally observe.
Our scientific evidence as well as excerpts
from Ra and W.B. Smith's UFO lecture suggest
that these Light harmonics have different
density levels in different areas of the
Universe. The Sun had been maintaining
the octahedral level nicely for us, even
though the Ulysses probe did not detect
any polarized magnetic field in 1995.
Furthermore, all of the
sources we have just mentioned are telling
us that Time itself is a function of Light.
In the case of John Nordberg's physics,
he explains that all of the universe is
made up of balls of light, which we have
called Consciousness Units. In Nordberg's
model, (which will be covered in much
more detail in Convergence: The Physics
of Ascension,) these balls of light can
either remain stationary as "standing
waves" (as in the case of ball lightning)
or move at the speed of Light, becoming
"moving waves" or photons that
create visible light. Even though a "standing
wave" does not appear to be moving
through space, it certainly possesses
dynamic internal motion -- and this will
be a motion that corresponds to its own
frequency of vibration. In the case of
the third dimension or density, our light
harmonic is 144, and the Hindu geometric
cosmology tells us that Light forms the
structure of an octahedron in our area.
And so, the ultimate assertion
that we will make is that motion is what
creates "standing waves" of
Light, which will naturally form spherical
harmonics in models such as Nordberg's.
The motion of a large body, such as a
planet or star, will create harmonics
as it drags along the aether in its motion,
thus creating a "standing wave"
in the System that it is contained within.
Wherever the center of gravity is, such
as the Sun in the Solar System or the
Center in the Galaxy, the harmonics will
arrange themselves around that point.
In other words, any large mass must draw
in the Light of Space around itself to
sustain its existence, becoming an 'aether
sink' to the surrounding area in the same
manner as a low-pressure zone in our atmosphere
causes high-pressure air to move into
it, thus creating thunderstorms. When
you have such a sink in motion, such as
in the orbit of a planet or galaxy, it
naturally disturbs its environment and
creates vibration as it travels, just
as the froth of water that follows a motorboat
continues to ripple outwards after it
has passed by a certain area. And in the
case of the disruption of aetheric energy,
we know from many researchers that these
vibrations can be seen as light, sound
and geometry.
We have discussed previously
the fact that Jupiter-Saturn conjunctions
are the main 'driver' for the Mayan Calendar.
What we have not mentioned is that these
conjunctions always happen in the exact
same three areas of space, relative to
the Sun. These areas are equally spaced
and thus form a great equilateral triangle:
 Furthermore,
each 19.86-year J-S conjunction is also
very close to one-quarter the total length
of Uranus' orbit. Again, in previous times
this may have been more exact than it
is at present, due to the explosion of
Maldek. So if we divide Uranus' 84-year
orbit into similarly harmonic quarter-cycles,
we end up with a giant square that is
formed in its orbit around the Sun, also
a harmonic that is seen to overlap with
the Mayan katun and / or the J-S conjunction:
 Other
planetary cycles, once further explored,
should yield other geometries as well,
including pentagons and hexagons. And
if we go back to the study of the crop
circles, we remember that the work of
Gerald Hawkins showed us that two-dimensional
diagrams like these can in fact be hyper-extended
to three dimensions. And already, we have
seen that the three-dimensional octahedron
appearing in the Sun is responsible for
the positive and negative energy bombardments
that we receive twice a month on the Earth.
And when we look at the behavior of a
system such as the Great Red Spot in Jupiter
at 19.5 degrees latitude, we can assume
that a similar harmonic outpouring of
Light energy is occurring from the tetrahedral
level, slowly moving like a giant lawn
sprinkler in the Solar System as Jupiter
rotates:
So, the rotations of the
planets and grids themselves, combined
with the planet or star's motion through
space, create a variety of interconnecting
harmonics. Some of these harmonics will
move very slowly compared to the speed
with which our Earth passes through the
Light of Space, as we complete twenty
cycles around the Sun to add up to one
conjunction of Jupiter and Saturn, for
example. Therefore, it is certainly possible
for us to pass into and out of areas of
greater or lesser energetic concentration
-- and this appears to be the basis of
astrology. If these energies are more
than just a simple "hot-or-cold,"
"high-or-low" variable and instead
represent discrete archetypes of consciousness,
then as certain archetypes are flooding
more powerfully into our minds, we can
expect that more of those corresponding
personality traits in ourselves will be
visible. The entire Solar System would
become a vast webwork of intertwining
three-dimensional harmonics, just as an
astrology chart will show you in two dimensions.
Our simplified diagram of
the spiraling tetrahedron does not reveal
the full extent of these harmonic pulsations.
We must look at the entire shape itself
as being a harmonic stress point, not
just the tips. Therefore, the exact structure
of the "standing wave" in free
space will act as an attracting force,
causing the very lifeblood of Consciousness
to be affected as all other forces pass
through it. And if we are looking for
these properties in time, our next challenge
would be to find a way to actually measure
such changes, in order to determine if
there is such a force in effect. Since
these effects are related to consciousness
and thereby psychological in nature, we
must find a simple way of charting out
the behavior of human psychology on a
mass scale.
Furthermore, if we want
to insure that these changes could not
possibly be caused by anything but the
passage of time, then all other factors
involved with the changes should be as
completely random as possible. In other
words, whatever we are graphing should
appear to be an almost completely unpredictable
psychological phenomenon that is very
easy to measure, ideally with only two
"hot or cold, high or low" variables
to consider. And then, if this behavior
is truly a random event by all conventional
understandings, any patterns taking effect
should be a byproduct of our observable
higher-dimensional geometric structures
in time. Such "patterns in chaos"
have indeed been observed in many different
ways already, and they are commonly referred
to in modern "Chaos theory"
as forming "fractal" geometries,
like the Mandelbrot Set. Until now, with
our aetheric models in place, we have
never truly had a foundation with which
to understand how these fractal formations
could be seen in both space and time.
Again, if we want to chart
out human behavior to see if the passage
of time has any observable effect, the
first thing we have to do is to find a
very, very simple index for measuring
that behavior. Ideally we should investigate
some form of human behavior that essentially
has only two directions - up or down,
positive or negative, high or low, joy
or fear, prosperity or scarcity. This
measurement of human behavior would need
to be rigorously graphed day after day
in an ongoing fashion in order to accurately
analyze the long-term data for any trends
or patterns. In order to be truly scientific,
it would have to be something that was
kept fastidiously, with no interruptions,
for as long as possible. No one research
group could realistically attempt to do
such a broad-based study on their own,
as they would be likely to introduce their
own biases -- and furthermore, we simply
don't have the profit motive to graph
such behavior with steadfastness. Or do
we?
THAT'S RIGHT…
THE STOCK MARKET!
It just so happens that
we do not need to look very far to find
such an ongoing measurement index of human
behavior. Ever since the late 1700's,
at the dawning hour of a new nation known
as the United States of America, an accurate
record of the human extremes of joy and
fear have been rigorously documented and
rendered into the form of an ongoing graph.
This record is known to us as the stock
market of the United States, later referred
to as the Dow Jones Industrial Average.
Yes indeed, the final answer
to proving the geometric structure of
time will come to us from the study of
the stock market. As surprising as this
may seem, it is indeed the most obvious
and specific means by which we can graph
out the extremes of human behavior through
time. The measuring index of this behavior
would be the price scale, which always
occupies the Y axis of a stock market
graph. And thus, the relative price value
of the stock market is indeed a very direct
and very effective measurement device
for collective human behavior. When human
beings feel joy, prosperity and inspiration,
they confidently buy, buy, buy into the
stock market, rising the price index.
And when human beings suddenly begin to
feel fear, scarcity and panic, they quickly
sell, sell, sell their stocks, hoping
to bail out of the market before it gets
any worse.
Indeed, any simple study
of a stock market graph will show us that
it continues to move up and down, up and
down as time moves forward. Rarely do
we ever see a stock market graph "flatline"
for any prolonged period of time, and
even within the larger trends, smaller
oscillations are usually seen as well.
The structures of human behavior indeed
take on a dynamic shape as the collective
mood of humanity rises and lowers from
hope to despair, over and over again.
And these cycles of human behavior have
been intensely studied by many, many different
researchers, as there is a very real profit
motive in understanding their functions.
If it can indeed be proven that these
up-and-down movements can be predicted
in advance, then all the sport and intrigue
of playing the stock market is eliminated.
If you know exactly when the market has
bottomed out and can go no lower, then
you know exactly when to buy your stock.
And if you know exactly when the market
has topped out and can go no higher, then
you know exactly when to sell your stock,
and thus make as much of a profit as you
were willing to allow yourself to make,
based upon how much money you invested
in the first place.
A MASONIC SCHOLAR
USES "ATLANTEAN KNOWLEDGE" TO
REVEAL THE HIDDEN STRUCTURE OF THE MARKET
We have already cited a
great deal of evidence that suggests that
the true knowledge of this octave-based
system of hyperdimensional geometry that
we are now discussing has been secretly
known all along. The society of Freemasons
is one current guise of this "secret
society" that has preserved this
knowledge, which found its way into cathedral
windows, the Great Seal of the United
States and the United Nations Meditation
Room mural, among other things.
On the outside, the Masonic
Order appears to be nothing more than
another boring fraternal "lodge"
of aging men like the Shriners, Moose
Lodge, Lions, Kiwanis or Elks Club, but
to those who have spoken from the inside,
there is a very complex and interwoven
system of Atlantean understandings that
has been handed down over time to them.
So, with the idea that everything we have
discussed and more may already be known
by a handful of elites upon this planet,
let us investigate the work of ace stock
trader W.D. Gann. We know for a fact that
Gann was a high-level initiate in the
Masonic secret society, and he actively
came forward into the public to teach
how very similar principles as what we
have been studying could be applied to
the stock market. Gann's work did indeed
allow him and many others to make accurate
predictions of market trends in certain
cases, though not on a constant basis.
And now, a much more recent researcher
by the name of Bradley Cowan appears to
have discovered all of the unspoken and
unrevealed knowledge within Gann's works
- knowledge which Gann apparently did
not want to release because of his secret
Masonic oaths. This knowledge ties directly
into our understandings of time as a multi-dimensional,
geometric phenomenon, hence the title
of the first of Cowan's works, Four-Dimensional
Stock Market Structures and Cycles.
But before we discuss Cowan,
we must start with Gann. The essential
core of Gann's discoveries is concerned
with the idea that the combined price
and time movement of the stock market
will arrange itself into units of specific
length and specific direction. These units
of length and direction were referred
to as "radii vectors." The length
and value of such a vector is calculated
by observing the nearest substantial high
and low points of a stock market graph,
and then drawing a straight line between
those two points that represents a combined,
numerical value of price and time. (In
other words, you want to combine the movement
of price and time values into a whole,
unified number instead of separating them
and only analyzing one at a time. We will
explain Gann's method of doing this below.)
Based on this rather simple system, once
you calculate the value of the radius
vector, you automatically know that the
next vector will be exactly the same length.
Without a knowledge of the harmonic structures
in time, it may seem impossible, but Gann
gathered mountains of evidence to prove
that that's "just the way it works."
Furthermore, and significantly,
all possible movements of the stock's
value will always be contained within
a simple, harmonic oval or ellipse that
can be drawn around each radius vector.
In other words, once you have your radius
vectors clearly mapped out on paper, simply
representing the connecting lines between
the highest and lowest cycles of price-time
behavior, you would never see the stock
market graph move outside of each ellipse.
Gann showed that the length of this harmonic
ellipse is identical to the length of
the radius vector, and the ellipse's full
width, at a perpendicular angle to the
midpoint of the radius vector, will always
be exactly half of this length. The next
picture allows us to see this very clearly.
 Again,
Gann revealed that the stock graph will
never move outside of the perimeter of
this ellipse, providing that you accurately
know the true direction of the radius
vector. This information regarding the
ellipse is actually very important for
our final theories of hyperdimensional
physics, and thus we will soon see that
we are not simply wasting space here by
discussing this.
The next basic point of
Gann's theory that we must discuss is
that each time that you reach the end
of a radius vector, you know to watch
for the direction that the next vector
will begin to take. Once you know the
direction of the next radius vector, you
will already know exactly how far it will
go in terms of length before terminating,
since the length is a constant -- in other
words, it is a fusion of price and time
values that will always have approximately
the same numerical value when combined
together. You may have a great movement
in time and very little movement in price,
and the fusion of these values could be
the same as an equal movement in time
and in price or a great movement in price
in a very short time. Obviously, the large
price movement in a short time would be
the one to watch for.
[Note: In order to protect
Cowan, we are actually not going to reveal
enough information for this idea to be
reliably used with success for stock trading.
As one of Cowan's clients reported, "If
you only pay attention to one cycle and
do not consider all the others, then something
else will come along and blow you out
of the water." So, if you want to
invest money using these ideas, we strongly
suggest that you purchase Bradley Cowan's
books. The ordering information is available
from his website, www.cycle-trader.com.]
We must also remember that
the length of each radius vector is a
function of both price and time moving
together, and thus unless price and time
are equally balanced out against each
other, (which is rather easily done,)
the lengths of the radii vectors may appear
to be different when measured with a ruler.
Therefore, Gann asked us to "square
our charts," or to produce a chart
where there was a perfect one-to-one relationship
between price and time. This is how we
would create balance in the chart. We
would first take the overall average of
a stock's movement in price for whatever
length of time the graph is working with,
whether hourly, daily, weekly or yearly.
Once you get the average movement of that
particular stock's price for each hour,
day or the like, you then re-draw the
price scale of your graph to count out
intervals of time in that average. And
thus, if you have a daily market graph
and you discover that a stock price moves
an average of three points per day, you
would then draw a new graph where each
of these three-point days on the X-axis
would be coupled with a three-point unit
of movement in price on the Y-axis. Days
one, two and three would square up with
prices three, six and nine, for example.
Once your charts are "squared"
and redrawn, Gann revealed that it becomes
very easy to see that the graph will move
in "radii vectors" of specific
lengths and specific directions. In a
squared chart, the radii vectors will
all be the same visible length, contained
within the perimeter of the simple ellipse
that is drawn around them. Each time that
a radii vector reaches its end, a new
vector is formed that will have a different
direction. (In Cowan's books there are
techniques that eliminate the need to
redraw or square your charts, instead
using the existing chart for reference-
but in these cases the price and time
ratios are usually not squared, thus making
the similar lengths of the vectors harder
to see.)
For most readers, the idea
that an apparently random phenomenon such
as the movement of a stock's price value
in time could occur in specific, ordered
intervals and vectors seems far, far too
simple to be true. However, Gann proved
his case with extensive documentation
beyond any shadow of a doubt. And thus,
even though you can find Gann's books
in the library, many traders are still
selling copies of Gann's Master Course
for Stocks, a huge compilation of Gann's
writings and lectures over many years,
for absurdly expensive prices. And people
will buy them, just because of the promises
of profit that are hidden within them,
if they can keep and study the books long
enough to understand how to do it. And
here, we are really only describing the
absolute basics of this enormously complicated
body of information.
COWAN'S STOCK MARKET
GEOMETRY
And now, enter Bradley Cowan,
who may eventually be known on a very
widespread public level as the man who
silently turned the entire field of stock
market analysis on its end at a very young
age, and also made a significant breakthrough
in hyperdimensional harmonic physics.
Little is known about Cowan, as he refuses
to give interviews, lectures or public
appearances, seeking rather to allow his
books to speak for themselves. There are
two basic sets of books that Cowan has
produced, namely Four-Dimensional Stock
Market Structures and Cycles and Market
Science. This author has not purchased
either of these sets of rather expensive
books yet, as our knowledge of the specifics
of Cowan's information comes from interviewing
an increasing number of his clients on
a professional basis. Each of these clients
were shocked to see this material given
a rational, causative explanation on our
website, and thus immediately became interested
in obtaining their own dream readings.
For them, there is no doubt that this
system works, as each of them continue
to actively use these principles to play
the stock market and determine where it
will go next.
Cowan does require that
a non-disclosure agreement be signed in
order to purchase the second series of
books, Market Science, which deal with
issues such as the soybean market, the
musical fifth and the square of twelve,
(yes, that's 144,) as defined on Cowan's
website, www.cycle-trader.com. This author
did not want to try to press any of his
clients to tell him any information from
the second set, as this would be both
illegal and damaging to Cowan. The material
within the first book does not require
a non-disclosure agreement, however, and
our publication of the validity of these
concepts has already triggered waves of
new interest in Cowan's books -- so the
PR pays for itself. And indeed, more than
half of our "Cowanite" clients
have already made significant profits
from these techniques when we spoke with
them.
Now how does this relate
to three-dimensional Platonic structures,
you ask? The bottom line is that Cowan
simply observed the hidden geometric structures
that were formed when Gann's radii vectors
were compared against each other. Over
time, Cowan realized that these radii
vectors on "squared" stock market
charts would assemble into the "unwrapped"
faces of three-dimensional Platonic solids,
one face at a time. We remind ourselves
at this point that each side of a Platonic
Solid is the same length, just like each
radius vector is the same length. Three
out of five of the Platonic solids are
formed by equilateral triangles - the
octahedron, tetrahedron and icosahedron.
(The cube has square faces, and the faces
of the dodecahedron are pentagonal, or
five-sided.) All equilateral triangles
have 60-degree angles at each corner.
And thus, when Cowan started to see the
endless redundancy of 60-degree angle
relationships between radii vectors, he
knew that he had stumbled over something
quite grandiose - Stock Market Geometry.
And indeed, once it was seen for what
it was, it became very obvious that Gann
had to have known about it, but simply
kept it a secret.
[When we look at the below
diagram, we must remember that the ellipses
that we are seeing are actually flattened
out into two dimensions -- and thus this
is not really an honest three-dimensional
graphing of what this would look like.
It will, however, show us how one tetrahedral
face would appear on a perfectly "squared"
two-dimensional graph.]
 And
so, once we throw Cowan's work into the
mix, we indeed expose how our passage
of time here in the third dimension is
a truly multi-dimensional, geometric phenomenon.
This should be fully expected, since we
can see these same effects in space with
the Global Grid, and space and time are
unified in the sea of Conscious Aether.
In his books, Cowan shows us how geometric
forms such as the tetrahedron, octahedron
and cube reveal themselves in an "unwrapped"
form upon a two-dimensional stock market
graph.
In case this is hard to
visualize, we must remind ourselves of
what Cowan is fundamentally asking us
to do. He is essentially telling us that
the movement of a stock, in terms of its
radii vectors, forms a hidden three-dimensional
geometry. However, we do not have three-dimensional
graphs to illustrate this. Therefore,
a two-dimensional stock market graph will
be a "flattened out" version
of three-dimensional action. This could
be visualized by actually taking a piece
of paper with your squared-out stock market
graph on it and then wrapping that paper
around the model of a tetrahedron, let's
say, whose sides are of equal length to
each radius vector on the stock graph.
To your amazement, after wrapping that
graph around the tetrahedron, (and necessarily
crumpling and folding the paper in certain
places to correct for the two-dimensional
distortions that the paper introduces,)
you would indeed see how the graph itself
would remarkably hug the outline of the
tetrahedron. All twelve clients agree
that Cowan has proven this in his first
set of books over and over again, beyond
any shadow of a doubt, using real examples
from the stock market.
 Perhaps
what is even more amazing than this is
what the ellipses reveal to us. The ellipses
actually trace out the path of a spiral
that forms the geometric shape as it moves
along. Yes, that's right, a spiral --
the same exact formation that is observed
in our images of Cymatics from Hans Jenny,
where the Platonic Solids emerged within
the vibrations of a fluid, connected by
large interconnecting spirals.
 Now,
we see the same harmonic, spiraling, geometric
passage of energy occurring in the aetheric
"fluid" of time, directly through
the work of Bradley Cowan. The ellipses
that surround each of Gann's 'radii vectors,'
or each side of the Platonic Solid, would
actually define those places where the
spiral is "buckling out" of
the geometric shape as it continues its
rotating motion.
We should already recognize
the below picture, derived from the very
well-known "Triple Julia Set"
crop formation that appeared literally
overnight at Windmill Hill in England
in 1997, as we have already printed it
before with a circle around it to illustrate
its outer spherical field. Again, this
diagram helps us visualize how such a
spiral, based on the Julia Set fractal,
would formulate a tetrahedron. All straight
lines and triangles were not in the formation
but rather drawn in afterwards, aligning
with the shape that the collection of
spiraling circles suggested. Furthermore,
if we also inserted an inverted mirror-image
of the crop formation over this same diagram,
we would observe the formation of ellipses
that are literally identical to those
envisioned by Cowan and visually modeled
in the Cymatics experiments of Dr. Jenny.
And if we briefly look back
to the spatial distortions of the Global
Grid again, as seen in our study of "Grid
Circles," we can see circular, unfolding
"fractal" spirals in the formation
of island chains and continent borders.
Furthermore, an overlay from the Stonehenge
Julia Set formation in 1996 reveals almost
the exact same fractal shape:
Since the ETs delineated
the simple spirals as actually fractal
formations, we believe that this is showing
us how there can be very large and very
small levels of Platonic solids that smoothly
interconnect with each other. This fits
in perfectly from a quote of Ra:
The term density is a, what
you call, mathematical one. The closest
analogy is that of music, whereby after
seven notes on your western type of scale,
if you will, the eighth note begins a
new octave. Within your great octave of
existence which we share with you, there
are seven octaves or densities. Within
each sub-density are seven sub-sub-densities.
Within each sub-sub-density, seven sub-sub-sub-densities
and so on infinitely.
To see this effect occurring
with fractals, the Mandelbrot Set certainly
could be expanded into three dimensions
just like Cowan has done with the stock
market graphs, thus revealing the spherical
structure of the different aether densities
within itself. And one of the most fundamental
qualities of any fractal is that it is
composed of spiraling lines that will
show the same formations over and over
again as you zoom in on them. These spirals
would naturally form the Platonic geometries
within themselves as they unfold, as the
previous crop circle diagram suggests.
What we have learned from
Cowan's clients is that lower-order cycles
will show up in tetrahedra and octahedra,
which in our system are the geometries
of the fourth and third densities or dimensions,
respectively. However, far longer-term
cycles emerge as cubical formations in
the market, which would be those of the
fifth density. Once again, Cowan shows
that the longer-term radii vectors of
the graphs can be shown to trace a path
over a rotating cube over the course of
many years. It would make sense that the
cube would take longer to show up than
the lower-order shapes, as the cubical
geometry of the fifth dimension is of
a far higher vibration than the tetrahedron
of the fourth.
Furthermore,
Cowan teaches us that the four-way or
"square" division of the 84-year
orbital period of the planet Uranus precisely
defines the time units that form each
side of this basic "market cube"
as it unfolds! This is the first big clue
that we have to indicate that the orbits
of the planets themselves are tracing
out these geometric forms in free space,
forms which have very active effects on
the structure of spacetime as we perceive
it. And according to Cowan's clients,
a stock trader does not want to tangle
with this cube. Based on Cowan's advanced
calculations that combine price and time
as a whole, both the Crash of 1929 and
1987 could be predicted in advance, practically
down to the day, by this cubical structure.
And as of May 1999, the potential for
the next major downward trend had begun,
in terms of geometry, though it has not
been as steep as the others thus far --
but even as this book is going to print
in April of 2000, the market is experiencing
jitters unprecedented since the Crash
of 1987.
The last bit of information
regarding Bradley Cowan's works that we
need to mention at this time is why he
calls these stock market cycles "four-dimensional."
The reason for this is that in three dimensions,
you cannot predict the future, merely
study the past and observe the present.
However, by accurately deducing the structure
and movement of these higher-order geometries
in advance, it is indeed possible to move
outside of linear time and predict the
future with great accuracy. Therefore,
since the geometries indeed forecast events
that have yet to occur, they can be considered
as fourth or even fifth-dimensional in
their structure.
GALACTIC GEOMETRIES
IN TIME: THE WILCOCK CONSTANT
One of Wilcock's most significant
original discoveries in "harmonic
aether physics" occurred when he
happened to come across an astrophysics
professor's webpage. He originally discovered
this page in his search for information
on the interesting phenomenon of dark
matter. The first significant point that
David noticed was that the entire galaxy
is spinning as a single unit, meaning
that the outside portions travel at the
same relative speed as the inside portions,
just like a single, connected disc. Obviously
this is not the case in our own Solar
System, as in order for Pluto to move
at the same relative speed as Mercury,
it would have to travel at a tremendous
velocity. Therefore, our current astrophysicists
have postulated that the only way that
our Galaxy could spin in unison like this
would be if a sphere-shaped field of matter
named the "Galactic Halo" exists
around it. However, since we cannot see
this halo, they have called it "dark
matter" and insist that it must be
there. And now, based on our understandings
of the harmonic aether, we can clearly
see that this is unnecessary - it is a
simple property of the spherical harmonics
of aether vibration that is at work.
As David inspected this
page, he came across a number that he
had never before been made aware of. In
previous manuscript versions of this book,
he had alluded to the fact that there
must be a comparable Galactic cycle to
what was seen in the Nineveh cycle. However,
at the time he was unaware that there
were any numbers for the length of the
Galactic rotation that were precise enough
to make any calculations. On the professor's
website the number was clearly given:
the galaxy rotates once approximately
every 225,000,000 years.
David was immediately excited
when he saw the number. The first thing
that he did was to see if this number
could be turned into seconds and thus
derived in a similar way to the Nineveh
Constant, from the "vibrations"
of seven and six. He calculated that there
were a total of 31,556,926.08 seconds
in a year by multiplying 86,400 per day
times 365.2422 days. By multiplying this
number into the 225 million-year orbit
of the Galaxy, he could get a ballpark
for exactly how many seconds this would
be. Then, he eventually realized that
if he took 0.7, not 70, and multiplied
it by 60 nine times in a row, he came
up with a number that was very, very close
- a "harmonic" Galaxy orbit
of exactly 7,054,387,200,000,000 (or roughly
7 quintillion) seconds in length. Once
he had this number, he then simply had
to multiply it by 365.2422 to get the
exact number of years that it would be
-- and thus a true "harmonic year"
of the Galaxy became 223,544,814.9201
million years in length. The fact that
.7 multiplied by 60 nine times in a row
could be 223.5 million, when the professor's
figure was set at 225 million, was already
quite stunning. David knew that when small
numbers are multiplied into large numbers,
each successive expansion in size would
make it more and more difficult to naturally
arrive at such a close correspondence
by sheer chance. In other words, he was
"on to something big."
David took a deep breath
as he realized the next step. In order
to see if everything worked out properly,
he would have to take the exact length
of the Nineveh Constant in years and divide
it into the "master harmonic number"
for the Galaxy. This was the moment of
truth. If the resulting value turned out
to be non-harmonic, then there would be
nothing left of the theory -- the entire
effort would have crumbled apart. David
had clearly seen what the true "harmonic"
value of the Galaxy's orbit was, and that
it was based again solely on the vibrations
of seven and six -- so there was reason
to believe that it should amount to something.
However, this didn't change the fact that
David was nervous - if the calculator
showed a meaningless number, then he knew
that the theory was either seriously flawed
or completely wrong. It was a moment that
might never happen again in his life the
same way.
In order to get to the "moment
of truth," he had to calculate the
Nineveh Constant in years, by taking its
total value of 2,268 million days and
dividing it by 365.2422. From this, the
exact number of years in one Nineveh Constant
turned out to be precisely 6,209,578.192224,
or roughly six million years. Then, all
that was left was to take this number
and divide it by the "harmonic"
length of the Galaxy's orbit, at 223,544,814.9201
years. By the time David got to this point
and had set up the final calculation,
he had already accepted that it probably
wasn't going to be anything significant.
He was ready for the letdown, ready to
go back to the drawing board, ready to
start all over again from scratch. He
was almost disappointed in himself as
he prepared to hit the ENTER key, waiting
for the messy number to appear on the
screen. After all, anything but a messy
number would be a complete miracle.
He took a deep breath, closed
his eyes, and pressed ENTER.
Click.
He opened his eyes.
In the window of the calculator
shone two digits, and to David's eyes
they were as bright as the Sun:
36.
David's entire body went
completely numb. Suddenly he burst out
of the chair and found himself screaming
at the top of his lungs with joy, jumping,
shaking his arms and racing around the
room- there could be no mistake. "Oh
my GOD, oh my GOD, oh my GOD, I can't
believe it! Thank you GOD!" The Master
Harmonic Number, 36, had appeared right
before his eyes as if by magic! It was
the Crown Jewel, the Holy Grail, the ultimate
proof that the Harmonic Universe Theory
was real. David now knew that our planets
come into a perfect straight line exactly
36 times in a row for every rotation of
the galaxy. The majesty and harmony of
the wheelwork of the Creation was exposed.
The answer was more beautiful, more elegant
than David could have ever possibly imagined.
He almost couldn't believe that he was
the first one on the planet to have discovered
this.
When he finally came to
his senses, he had to check the soon-to-be-named
Wilcock Constant against the value for
the precession in the Nineveh Constant,
which in this case turns out to be 25,873.2424676
years long, fairly close to the 25,920-year
"harmonic ideal" value. To his
amazement, the number was exactly 8640.
In other words, everything worked exactly
like a clock. There are 3600 seconds in
an hour and 86,400 seconds in a day. Similarly,
there are 36 Nineveh cycles and 8640 precessional
cycles in a "Galactic Year".
Everything worked out -- just like a clock.
Now, when he went back to the Ra Material,
he knew what they were talking about.
First, the quote from Session 9:
Thus, each of your planetary
entities is on a different cyclical
schedule as you might call it. The timing
of these cycles is a measurement equal
to a portion of intelligent energy.
This intelligent energy offers a type
of clock. The cycles move as precisely
as a clock strikes your hour. Thus,
the gateway from intelligent energy
to intelligent infinity opens regardless
of circumstance on the striking of the
hour.
Then, the quote from Session
13:
The spiraling energy,
which is the characteristic of what
you call "light," moves in
a straight-line spiral thus giving spirals
an inevitable vector upwards to a more
comprehensive beingness with regards
to intelligent infinity… The fourth
density is, as we have said, as regularized
in its approach as the striking of a
clock upon the hour. The space/time
of your solar system has enabled this
planetary sphere to spiral into space/time
of a different vibrational configuration…
Then, the quote from Session
14:
Imagine, if you will,
the many force fields of the Earth in
their geometrically precise web. Energies
stream into the Earth planes, as you
would call them, from magnetically determined
points… the various geometrical
centers of electromagnetic energy which
surround and shape the planetary sphere.
Then, the quote from Session
15:
Love creating light, becoming
love / light, streams into the planetary
sphere according to the electromagnetic
web of points or nexi of entrance. These
streamings are then available to the
individual who, like the planet, is
a web of electromagnetic energy fields
with points or nexi of entrance.
Here, David knew that
they were speaking of the chakras. Earlier
in this same session, Ra had said the
following:
The thought-form distortions
of your peoples have caused the energy
streamings to enter the planetary magnetic
atmosphere, if you would so term this
web of energy patterns, in such a way
that the proper streamings are not correctly
imbued with balanced vibratory light
/ love from the, shall we say, cosmic
level of this octave of existence.
And then, the quote from
Session 17:
The fourth density is a
vibrational spectrum. Your time / space
continuum has spiraled your planetary
sphere and your, what we would call galaxy,
what you call star, into this vibration.
This will cause the planetary sphere itself
to electromagnetically realign its vortices
of reception of the in-streaming of cosmic
forces expressing themselves as vibrational
webs so that the Earth thus be fourth-density
magnetized, as you may call it…
And then, the case was sealed
with the quote from Session 63, started
by a question from Dr. Elkins that seemed
to pop "out of the blue:"
QUESTIONER: Is there a
clock-like face, shall I say, associated
with the entire major galaxy so that
as it revolves it carries all of these
stars and planetary systems from density
to density? Is this how it works?
RA: I am Ra. You are perceptive.
You may see a three-dimensional clock
face or spiral of endlessness which
is planned by the Logos for this purpose.
At this point, the only
remaining step was to find a reason for
why Ra insisted that the key figure for
our planetary evolution was three cycles
of precession, not one. David returned
to the figures from Cotterell, and saw
that one full rotational cycle of the
fortune cookie-shaped "neutral sheet"
surrounding the Sun had been calculated
at 18,139 years. This was obviously too
big of a number to fit in together with
25,920 years, which would be one precessional
wobble of the Earth. David knew that three
precessional cycles added up to 77,760
years. Then, he realized that if Cotterell's
number was increased from 18,139 years
to 18,140, which is a perfectly possible
and excusable adjustment, then four of
these cycles would add up to 72,560 years.
And 77,760 minus 72,560 was 5200 -- again,
the same "shift cycle" seen
on so many smaller levels with impressive
redundancy, based on the harmonics of
the number 13. We remember that this even
included the difference between the number
of J-S conjunctions in one Mayan Calendar
as opposed to their harmonic katun counterparts.
David then decided to see
how many three-precessional cycles would
occur in one full harmonic rotation of
the Galaxy. He was hardly surprised to
see that the number came out to 2880--
the exact harmonic of "double light"
and the first ratio in the common Diatonic
scale. In short, everything that Ra had
said about the essential structure, function
and architecture of the Universe was true
-- and therefore, the actual harvest itself
was also a legitimate reality.
And then, David thought
back to the remarkable internal timeline
structure of the Great Pyramid, which
Ra had given to humanity as their greatest
blessing -- a structure believed to be
the perfect form for initiation and healing.
And as he again studied the Timeline,
he realized that the remarkable metaphysical
qualities of harmonic time and the Shift
of the Ages had been built-in all along
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